Downloads

The Lost Music Project emerged from previous archival and conceptual work on instrument records, attribution theory and performance practice, a number of which will be placed here for download. The Formal Methods in Musicology project  https://formal-methods-in-musicology.webnode.page/ also generated useful content.

Francis Knights, 'The historic chapel music manuscripts at Trinity', Trinity College Annual Report (2007), pp.55-59

Francis Knights, 'The clavichord in Tudor Cambridge', British Clavichord Society Newsletter, xli (June 2008), pp.3-7

Francis Knights, 'Observations on two 16th century music manuscripts belonging to Sir John Petre', The Consort, lxxv (Summer 2019), pp.22-41

Francis Knights, Mateo Rodríguez and Pablo Padilla, 'Reconstructing Renaissance Polyphony: comparing original and replacement', National Early Music Association Newsletter, iv/2 (Autumn 2020), pp.43-51

Francis Knights and Pablo Padilla, 'Attributions in early music: a checklist for editors', National Early Music Association Newsletter, v/2 (Autumn 2021), pp.56-67

Francis Knights, 'A Register of British Keyboard Makers, Composers, Players and Owners, c.660-1630', National Early Music Association Newsletter, vii/2 (2023), pp.25-108

Francis Knights, 'Musical Instruments in the London Customs Accounts, 1380-1537', Bulletin of the Fellowship of Makers and Researchers of Historical Instruments, clxiii (November 2023), pp.27-46

Francis Knights and Pablo Padilla, 'The historical rehearsal of early music', National Early Music Association Newsletter, viii/1 (Spring 2024), pp.25-127

Francis Knights and Pablo Padilla, 'Historical performance from Renaissance choirbooks', National Early Music Association Newsletter, viii/2 (Autumn 2024)